Enhancing ear accuracy

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    For Tomatis, having a good musical listening, is tantamount to having an ear that is as close as possible to the criteria of operation of the musical ear as it has defined them in a very precise way.

    Image of an electronic ear
    Some people are born with a gift that is called the absolute ear, not everyone has that chance. Dr. Tomatis's work has shown that, in fact, it is more of a skill than a real gift, a skill that can be acquired on condition that you have the right method.

    A musical ear according to Tomatis must meet the following criteria:

    1. It favours the analysis of the acute frequencies between 2000 and 5000 Hz, while continuously and progressively amortizing the frequencies below 2000 Hz and above 5000 Hz. This damping should be done as well in aerial conduction as in bone conduction.
    2. That it has a maximum opening of the hearing selectivity. The auditory selectivity is the ability to differentiate the height of the sounds relative to each other, but also the direction of variation of the height.
    3. A very precise auditory spatialization. Spatialization is the ability to locate a sound in space, both in aerial conduction and in bone conduction.
    4. Finally, it is the right ear that must be Director, IE who must take a very subtle but extremely important temporal advance on the left ear in terms of processing of the sound information.

    In fact, from his first works with singers and musicians, Tomatis has shown the existence of a superiority of the right ear in terms of analysis and instrumental control of musical sounds (which also includes his own voice). This preponderance of the right ear was subsequently confirmed many times.

    Depending on the frequency zones of existing deregulations, deregulations that can be evaluated through a listening test, and in relation to the criteria defining the musical listening previously mentioned, the educational approach will concern:

    • The improvement of musical sensibility, i.e. the desire to listen to music or to play an instrument.
      • Improving accuracy and precision, both in the analysis and in the instrumental game.
      • Improvement of the appreciation of the beauty of the musical work or of the interpretative quality at the instrumental level.

    This will be done mainly with listening sessions under electronic ear.

    Want to know more about the capacity of your ear? Make an appointment for an audio-psycho-phonological assessment!

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